9.23.2012

it becomes a lot easier to exist


I wouldn't mind if things were different, but they're not and, truly, I have always enjoyed my space. I love turning the key in the door at the end of the day, being able to decompress, knowing where I left the remote control to the television. I am partial to hot water. I like being able to come home late and collapse into bed without worrying about waking anyone with my drunken shoe removal.
This is not a matter of statistics or trends; it's my life. There is no advertisement for it. Funnily, that's one of the better selling points imaginable: once you realise you're not obligated to persuade others about your existence, it becomes a lot easier to exist. 
                                                                                               - Sloane Crosley, on living alone. 
According to that article, I'm part of a trend, part of a new legion of solo dwellers. Well, sure. Why not. Today I wrestled my A/C unit out of the window and only narrowly missed launching it down to the street. It would have been easier, yes, everything would always have been easier, yes, this would all be easier with someone else. But that is not my life, which is what I keep reminding myself. That is not my life. This is my life. 
On that note: Something happened recently that I'm struggling to get through, or past. A rift. In many ways I think it will change the way I've been living, day-to-day, yes, molecularly. It's not a change I want to make - rather one I have to make, and I feel lighter, if also more heartbroken, for having taken those first, necessary steps. 
And on that note: Someone once asked me if I thought the guy I was seeing was brilliant. He yelled it, actually: "DOES HE FILL YOU WITH AWE?!" And I knew the answer, knew it immediately, and knew that meant the end of us. 
There's a list, there's a rough-knuckled fist of people, and I clutch them with such ferocity, those who have entered my life, and stayed, and who continue to dazzle me right to my core. I will not close my eyes against that light, and if you have it, I'm going to tell you, even if that contains the implicit bargain: I'm asking you to live up to that, now. And for my part, I will wait for that light. I'll wait until I can feel its slow heat thrumming, somewhere out in the crowd. 
And on that note: This fall, I'm going to stop dating men and date my writing instead. I'm going to take my writing out to dinner at the restaurant around the corner with the incredible octopus pasta and I'm going to sit it at the bar and feed it. I'm going to carve date nights into my calendar, long, cozy nights where I woo and tease and coddle my writing. I'll make it tea, or whiskey, whatever it wants. I'll talk softly to it, worship it, give it what it didn't know it always needed. I'll take it to bed early. I'll wake it with the sunrise. I'll maybe even knit it something warm to put around its neck, and then ask it to be amazed. I'll see where we might go together. 

a symphony, and some fish

Some new (or old) words about the cold up over here.

Thank you, in advance, for sharing with me.

9.20.2012

we were blessed

and I saw, again, how blessed my life had been, / first, to have been able to love, / then, to have the parting behind me,... / and not to have lost him when he loved me, and not to have / lost someone who could have loved me for life.

- Sharon Olds


via Emily, who knows. 

9.18.2012

preach

"Everything I've ever let go of has claw marks on it."

DFW. 

9.17.2012

random act of bravery

I painted the walls and steamcleaned the floors. I hung curtains and shouldered my weight behind a drill. There are holes in my walls and I covered them with thick coats of white primer, with furniture positioned to hide the cracks. Some nights I just walk slowly back and forth along the length of this apartment, feeling the silence around me like something with form, like a new partner.

It's an adjustment, this living alone. I wonder how many times I have to listen to this song before a neighbour calls suicide watch.

The day we moved out, I went back to my old apartment to drop off the keys, sometime around midnight. Earlier one of the guys who helped me move told me my new place reminded him of his grandmother's home in Puerto Rico, and that allowed me to find its decrepitude charming in a way I hadn't before, and I was thinking of that as I bounded up the two flights of stairs in my old building, slipped the keys into the lock for the last time. I was halfway down the hallway when I realized the new residents had already moved in. Their belongings were piled in the centre of our kitchen and living room, a couch standing on its end, a desk tucked up against the stove. I froze. By some stroke of good fortune they were out, so there was no one to catch me there. But it made my heart lodge itself in my throat - not just the fear of being found in someone else's apartment, but realizing that it was now someone else's apartment - that in less than 2 hours, the rooms I had called home for a whole year, the rooms in which I'd raised two cats, held my roommates as they wept and been held in turn, had sex, had a fever, baked loaves of zucchini bread, broken my heart, broken at least 4 glasses, changed my plans, changed them again - these rooms belonged to someone else now. I was bowled over by the temporary-ness of this, of living in New York City. By the realization that I will only ever be an interloper here.

I slipped the keys from my ring and left them on the stovetop. I turned off the light.

8.25.2012

truths universally acknowledged

1. Moving in is better than moving out.
2. Everything is better than moving out.
3. You may have spent the year you lived with the personal trainer self-shaming and resolution-making, but you will be grateful for every ounce of guilt and loathing when it comes time to lift the things.
4. You have too much stuff.
5. With every year, it will become infinitely easier to throw away the crappy jewellery your crappy ex gave you.
6. There is no better album for motivating inane activities than Bryan Adams' 1991 masterpiece, "Waking Up the Neighbours."
7. That apartment - the one for which you signed the lease and paid the security deposit and the brokers fee in a feverish haze because it was rent-stabilized and in your neighbourhood and had a painted red door, the one you thought might need some cosmetic work but it's nothing you can't handle, what's a little grout when you will be able to live alone for the first time in your life? - will be so much worse than you remembered. Open the door to the fridge. See that? That's a fish. Half a fish frozen against the wall of the freezer. That is your life now. It's you and the fish. Mount up.


8.21.2012

mikvahs


This is soup. This is the soup I eat at my desk. It's got soba noodles in it and tofu and you get to choose two vegetables. Choosing which vegetables is the most difficult part, sometimes.

Which isn't saying anything about my life. It's just soup, guys.

There wasn't any soup at my desk in Maine. There was, however, a lake just down the hill from our cabin that I slipped into at dawn the morning of the wedding. I went in naked, because that's what you do for a mikvah, and the water was warm from the rain the night before.

There was also this in Maine:


I mean, THAT's a wedding. 

That's me there in the blue chiffon. We were a rainbow of chiffon. And by god, we actually looked lovely. Hear that, ESB? A RAINBOW OF CHIFFON. 

There have been some brave acts lately, like speaking from the heart, but here's the real truth: I'm afraid my bravery is becoming rote. I could publish a collection of righteous emails, I think. Maybe there's not enough doing. Real doing. Real brave doing. Maybe there's a little too much eating soup at my desk while listening to The Walkmen. Where's the line, exactly? I want to see the line, and then I want to put my heart on it. 

Also I want the perfect black dress. Nothing fancy, loose and sexy, with room for my not insignificant chest. Let me know if you've seen it. 

8.13.2012

two things

"How vulgar, this hankering after immortality, how vain, how false. Composers are merely scribblers of cave paintings. One writes music because winter is eternal and because, if one didn't, the wolves and blizzards would be at one's throat all the sooner."
                                                                                                                     Cloud Atlas, David Mitchell.

Rereading Cloud Atlas as a security blanket, as a gift. This book cracks me open. I keep having to put it down because I feel unworthy of the words.

Also, this song, a whole bunch.

 

I'm heading to Maine this week to watch two of my nearest and dearest hitch their lives to each other. I'm wearing the bridesmaid hat for the first time. Turns out I'm a really shitty bridesmaid, which is perhaps not surprising. Still, I'm all glory and agog and eager, ready to stand up there and witness this, the grandest of gestures.


8.12.2012

open wide

“For my part, I prefer my heart to be broken. It is so lovely, dawn-kaleidoscopic within the crack.” 
— D.H. Lawrence, Birds, Beasts and Flowers

I had a revelation recently, a revelation that served as insulation, a bubble-wrapped moment of understanding that will no doubt sound pathetic on the page-ish, but which I think I might cling to for a while to see where it takes me, and that was this: Maybe there are people who are really good at being brokenhearted. By which I mean, maybe I am one of those people. There is a madness in love and I went at it full-throated and wide when I first caught the scent. It sped me up and gave me purpose. Loving - not being loved - was the thing that sustained me. Being loved back was much more difficult, and if I'm entirely honest, I'm not sure it ever really fit. I chafed under it. And when, after eight years, the one guy who had ever claimed to love me left in a pretty ugly way, there was a part of me that said, Of course. 

In the two years since, I've pinned my heart to others in a very misguided fashion, sort of blithely, gleefully saying, Oh hey, there's a cliff, go throw yourself off of it. I've made all the choices I shouldn't make. It's not a reckless affection I give to others, and it is terribly rare, but when it comes it is so intense, so consuming, and, for me, truly, so joyful. It feels so wonderful to give love. AND SO AWFUL. All at once! And I am so very, very good at it! If it were an Olympic sport, my mixtapes and love letters would win gold. So full of feeling, the Russians would say, daubing their eyes. What if, rather than resisting this, rather than becoming small and safe or opening only to something lasting, something reciprocal, I just kept. fucking. loving. Loving everything in my path. Friends and books and pie and all the wrong men. Right through the pain and the loneliness and the ache. Let the dawn-kaleidoscopic cracks open wide. What if loving, despite everything, is the bravest work of my life? 

I have these two cats. They're perfect. I've told you about them. It's round two of fostering. They're being adopted by a vet in Long Island. I have loved four cats now who weren't mine. They weren't mine, and I loved them anyway. There. That is the best thing I've ever done. 


8.02.2012

i only care about me

So, remember that time I wrote that thing? I thought it might be an interesting experiment to say the thing I'm most ashamed to say. I thought it might be brave? I also thought - hoped - that it would invite discussion. Hey ho, it did. I feel very grateful for that, and also like I want to make a large pot of noodles and then dump then on my face and walk down the street, just to try out a different kind of humiliation.

The most pointed criticism, I think, is "Why are we supposed to care about this?" How could I imagine I have anything useful or interesting to say? It's the concern that plagues all personal essays - if there is no universal question at the heart of the work, why does it deserve to exist? I don't even begin to imagine that my tiny thoughts have any relevance to anyone - they often cease to be relevant to me as soon as I've had them - but creative nonfiction, essaying, memoir, all involves that very measure of grandiosity. It's a very vulnerable kernel: the audacity to believe that there might be one other neuron in the world that will spark the way yours did, even if only for a second. And then you have to capitalize on that small glow and try and feed it (with wine, with Honey Nut Cheerios out of a mug) in order to sustain 1500 words of whim and folly and then you have to have the gall to actually throw it askew on a proverbial wall and then, most horrifying of all, you have to stand under it, beaming, asking someone to come in and tell you what they think. (See also: OH HEY LOOK I HAVE A BLOG.)

It was a good morning to read this: The Shrinking Boundaries of Being a (Certain Kind of) Twentysomething. I have a uselessly heteronormative crush on Richard Lawson, but man, he got a little MEAN. Still, I nodded sagely - because yes! how deeply self-involved to imagine anyone else could be interested in what you have to say, especially when what you have to say is nothing more than a deeply self-involved rumination on the minute segment of the population in which you happen to live - and then I went and clicked over to my article to refresh the comments for the 75th time.

(Please note that the first comment on Lawson's article is: "Oh shut up already and go have an actual life.")

In case I didn't make myself clear: I am so lucky. I want to bake everyone who has ever read any word I have ever written a very large muffin of your choosing. I want to give back your time in baked goods. I want to take you down to Chick-fil-A so we can eat those muffins and make out, if you are a girl. Let's all do something wild and good together.